UNTITLED 17
Oil on canvas, 20 x 30 x 3 cm, 2022
UNTITLED 16
Oil on canvas, 20 x 30 x 3 cm, 2022
WATER MIRROR
Video, 1'2", 2022
UNTITLED 15
Acrylic on canvas, 20 x 20 x 4 cm, 2022
UNTITLED 14
Acrylic on canvas, 20 x 20 x 4 cm, 2022
UNTITLED 13
Acrylic on canvas, 20 x 20 x 4 cm, 2022
UNTITLED 17
Oil on canvas, 40 x 30 cm, 2017
CABOS
Oil on extension pole paint roller, 200 x 24 x 2 cm, 2018
UNTITLED 2019
Oil on canvas, 14 x 10 cm, 2019
UNTITLED 2018
Oil on canvas, 14 x 10 cm, 2018
ALTAR 2020
Iron and wood, 80 x 20 cm
ARRANGEMENTS I
Clay, acrylic on cotton fabric, nail covered with masking tape, plaster and wooden chassis, 36 x 38 cm, 2017
60 ECHOES
Audio, 25'23", 2020
A sound piece based on the opening theme of the state radio program The Voice of Brazil (the oldest of Brazilian radio, created in 1935 during the government of Getúlio Vargas). The theme is the opening section of the opera O Guarani, by the composer Antônio Carlos Gomes (1870). There are sixty repetitions followed by the theme that make references to the 60th anniversary of Brasília. Throughout its 25 minutes of duration, the looping theme suffers from varying distortions, being gradually corroded, leaving, at the end, pure static. The work is done in partnership with the artist Caio Guedes. Image: digital manipulation of the photograph Esplanada of the Ministries Under Construction, 1959, made during the construction of Brasília by Marcel Gautherot (1996)
A sound piece based on the opening theme of the state radio program The Voice of Brazil (the oldest of Brazilian radio, created in 1935 during the government of Getúlio Vargas). The theme is the opening section of the opera O Guarani, by the composer Antônio Carlos Gomes (1870). There are sixty repetitions followed by the theme that make references to the 60th anniversary of Brasília. Throughout its 25 minutes of duration, the looping theme suffers from varying distortions, being gradually corroded, leaving, at the end, pure static. The work is done in partnership with the artist Caio Guedes. Image: digital manipulation of the photograph Esplanada of the Ministries Under Construction, 1959, made during the construction of Brasília by Marcel Gautherot (1996)
ARRANGEMENTS II
Oil on canvas and cotton fabric, 15 x 10 x 3 cm, 2017
FLUCTUATIONS
Performance, 9'11", 2013
A performance in which the artist is dressed in black on a pile of slate in an empty space where he combs repeatedly in front of mirrored glass attached to the ceiling following the rhythm of a low frequency sound loop. This work is focused on an ordinary ritual, a simple gesture: the act of combing yourself in front of a mirror. The sound piece, played simultaneously, acts like a time marker and, due to its low frequencies, floods all architecture and bodies through air displacements and sound resonances.
A performance in which the artist is dressed in black on a pile of slate in an empty space where he combs repeatedly in front of mirrored glass attached to the ceiling following the rhythm of a low frequency sound loop. This work is focused on an ordinary ritual, a simple gesture: the act of combing yourself in front of a mirror. The sound piece, played simultaneously, acts like a time marker and, due to its low frequencies, floods all architecture and bodies through air displacements and sound resonances.
UNTITLED 05
Oil on canvas and acrylic on cotton fabric, 15 x 19 x 3 cm, 2017
UNTITLED (VIOLET)
Oil on canvas, 15 x 10 cm, 2017
CROSS
Steel nail, laser and masking tape, 2018
UNTITLED 06
Oil on canvas, 12 x 9 cm, 2017
FRAGMENT
Performance, 8'48", 2012
In this performance, we see an individual in gray clothes in front of a gray wall where he interacts with an emergency thermal blanket. When handling this blanket, pops are heard, similar to those of a plastic bag being crushed. Made of a thin film of metallized PET plastic, the thermal blanket is used to maintain body heat. It is also frequently used by the police to cover the bodies of fatal victims of accidents or crimes. In this performance, the blanket takes on the meaning of a funeral wrapper of a body that still in a state of animation.
In this performance, we see an individual in gray clothes in front of a gray wall where he interacts with an emergency thermal blanket. When handling this blanket, pops are heard, similar to those of a plastic bag being crushed. Made of a thin film of metallized PET plastic, the thermal blanket is used to maintain body heat. It is also frequently used by the police to cover the bodies of fatal victims of accidents or crimes. In this performance, the blanket takes on the meaning of a funeral wrapper of a body that still in a state of animation.
UNTITLED 19
Oil on canvas, 15,5 x 10 x 3 cm, 2017
ARRANGEMENTS III
Oil on canvas, packing and brush, 2018
DSC01148
Digital Photo, 2013
The title of this work, which stands for Digital Still Camera, makes reference to the prefix and numbering automatically assigned to name the images recorded by a Nikon digital camera used in the series. The intention was to highlight an impersonal character of these images. They are, in fact, pictures of a computer screen in which it is possible to see the mesh of pixels that form it
The title of this work, which stands for Digital Still Camera, makes reference to the prefix and numbering automatically assigned to name the images recorded by a Nikon digital camera used in the series. The intention was to highlight an impersonal character of these images. They are, in fact, pictures of a computer screen in which it is possible to see the mesh of pixels that form it
UNTITLED 01
Oil on canvas, 22,5 x 16,5 cm, 2016
GHOST
Clay and acrylic on cotton fabric, varied dimensions, 2017